The guide that
remembers the film.

The problem. A project starts without anyone writing down what it is, for whom, how long, and with what money.
What V AI drafts. Pins the format, length, audience, platform, budget level and way of making it, then decides which steps this project needs and which to skip.

The problem. The story lives in one head. Everyone downstream works from a different version of it.
What V AI drafts. Completes the story in the international development format: title, logline, characters, world, acts, beat sheet and a one-page synopsis.

The problem. A story is not yet a plan. Until it is in scenes, nothing can be scheduled, costed or shot.
What V AI drafts. Turns the story into a scene outline, then writes every scene in standard screenplay form, as a draft for the writer to rewrite.

The problem. A script is read by twelve departments, and each keeps its own list.
What V AI drafts. Reads the script and drafts the film's record: people, costumes, props, places and light, and the scene where each first appears.

The problem. Each tool and each vendor starts from its own picture of the character.
What V AI drafts. Drafts one approved look for each face, costume and place, for generators and vendors to start from.

The problem. The shot list lives in one head and the storyboard in another.
What V AI drafts. Turns the scene into a shot plan, and says which shots a camera should take and which a generator can.

The problem. Money is guessed late and line by line, and the expensive scenes are found after they are scheduled.
What V AI drafts. Builds a top sheet and line budget from the breakdown at the brief's budget level, and names the scenes that drive the cost.

The problem. The fragile days are found on the day they break.
What V AI drafts. Reads the schedule against cast dates, locations and weather, marks the days most likely to break, and holds a cover plan for each.

The problem. Crew and places are booked from memory, and the gaps appear on the first day.
What V AI drafts. Lists the crew this project needs at its scale, and every location with what it must provide, permits and a backup.

The problem. Tools are chosen shot by shot, and later nobody can say which made what.
What V AI drafts. Sets which tool or vendor makes each shot. The tools already in use come first, then they are connected, and custom code comes last.

The problem. Each night someone rebuilds tomorrow by hand from the schedule, the cast list and the weather.
What V AI drafts. Turns the schedule into a call sheet for every shoot day: scenes, cast, calls, locations, special needs.

The problem. Generated shots are made one prompt at a time, by different people, from different pictures of the character.
What V AI drafts. Drafts the generation plan for each generated shot: the prompt, the reference it starts from, and what continuity it must hold.

The problem. Rain stops the shoot. The unit waits, the day is lost, and the schedule is rebuilt by hand overnight.
What V AI drafts. Re-solves the day against cast dates, locations and what is already shot, proposes a cover scene and drafts the new call sheet.

The problem. Costume and props drift between days. The script supervisor holds it all in notes and photos.
What V AI drafts. Checks each setup against the film's record before the camera rolls.

The problem. A missing angle is found at rushes the next day, after the unit has left the location.
What V AI drafts. Checks the takes against the shot plan beside the set, and flags the gap before the unit moves.

The problem. Unusable location sound sends the scene to dubbing weeks later.
What V AI drafts. Reads the sound report the same night and lists only the lines that cannot be saved.

The problem. Rushes pile up. The director sees selects days later.
What V AI drafts. Logs a day's takes by scene and take from your notes, and proposes a first assembly order.

The problem. Finding the take with the right line eats the editor's day.
What V AI drafts. Finds takes by what is said and done in them, and builds string-outs for the editor to cut from.

The problem. A shot is regenerated by a second vendor. Nobody on that team has seen the rest of the film.
What V AI drafts. Compares a new shot with what the film's record holds, shows each possible break beside the shot that set it, and leaves the decision to a person.

The problem. Three vendors deliver the same character. Each one matches its own reference.
What V AI drafts. Drafts each vendor's turnover note with the record entries it needs, and the checks the delivery should pass.

The problem. Every language version is rebuilt by hand, and lines drift from the picture.
What V AI drafts. Keeps one list of lines across languages and marks where a dub no longer fits the cut.

The problem. The look drifts from shot to shot, and generated shots never match the camera.
What V AI drafts. Sets the look of each sequence and the rules that make generated and camera shots sit together.

The problem. Credits are typed at the last minute, and names are wrong or missing.
What V AI drafts. Writes the main title design brief and the credit order from the brief, cast and crew.

The problem. A change arrives after picture lock. Conform, effects, sound and every version are redone by hand.
What V AI drafts. Lists the versions a late change touches, and drafts the delivery trail for each AI shot.

The problem. The film is finished before anyone plans how people will find it.
What V AI drafts. Plans the release: trailer beats, poster idea, loglines for each platform, festivals or channels, and a launch timeline.