Learn the craft
by making six films.
Directing is a learnable craft: where the camera stands, what the audience knows, when to cut. Here is exactly what is open today and what is coming.
Learn AI with us.

One person, or a group: a crew, an agency, a classroom or a company team. From first steps to working professionals.
The latest AI tools for images, video, sound, writing and planning, chosen for what you actually do, then put to work on your own project, job or film.
Live, online or in person where we can be. Booked when you need it, as one session or a run of them. Tell us your goal; we agree the topics, length and fee before you commit.
What you can do today.
Learn AI with Videogrammer, one to one
Live sessions, one to one or for your group, booked when you need them: the latest AI tools for film and creative work, and how to put them to work in your job and your films.
Booked on request. Topics, length and fee agreed before each booking. No certificate.
Book a session →AI Film School, 48-week programme
A programme built around six films each learner makes, from a silent point-of-view film to a crewed thesis film.
Written in full. Not open for enrolment; no cohort taught yet; not accredited. Dates and fees not announced.
Register interest →V AI in school mode
Asks for the learner's attempt first, critiques their real work and records their authorship.
Not built yet.
Register interest →Six films, each harder.
Each film adds responsibility, and the help from V AI steps back as you step up.






| Film | Weeks | What you make | What it teaches |
|---|---|---|---|
| 1 | 2–4 | A silent point-of-view film, 45–90 seconds | Geography, framing, montage, personal intention |
| 2 | 14–16 | An actor-led dialogue film, 2–4 minutes | Casting, rehearsal, blocking, camera, sound, edit |
| 3 | 22–24 | A nonfiction or hybrid essay, 3–5 minutes | Research, subject ethics, archive, argument, sound |
| 4 | 30–34 | A hybrid proof shot or sequence, 30–90 seconds | A controlled AI, virtual-production or effects pipeline, and diagnosing its failures |
| 5 | 35–40 | A specialisation showcase, 2–4 minutes | Depth in one role, and handing work across departments |
| 6 | 41–48 | A crewed thesis film, 5–10 minutes | Voice, craft, collaboration, delivery and a jury defence |
Before you decide.
- Who it is for
- People who want to direct films, from a first film to working professionals.
- How it is taught
- Online. The 48-week programme is designed around 144 taught sessions and supervised production labs.
- Language
- English.
- Weekly time
- Not announced yet for the programme.
- Equipment and software
- A phone camera is enough to start. Software costs depend on the tools you choose; we will list them before enrolment opens.
- Teaching and feedback
- Designed around critique of your own films. Instructor arrangements will be announced before enrolment.
- Fees
- Not announced for the programme. One-to-one and group sessions are priced per booking, agreed before you commit.
- Start date
- Not announced. Register interest and we will tell you first.
- Certificate and accreditation
- The programme is not accredited and offers no degree.
A teacher, not a ghostwriter.
It will ask for your attempt before it shows an answer, critique the script, frames or cut you actually made, and record what you made and what it suggested. It will never finish an assignment and call it your skill, and your work never trains a model without your written consent. Planned